Tones Of Naarm at Rampfest

Want to check out some live music at Australia's Oldest Indoor Skatepark? 

Tones Of Naarm will be at Rampfest with a crew of bands, so bring your friends to see some awesome skaters, riders and bands all in one!

Sadie Mustoe - Alt Folk Pop
Sadie Mustoe, a contemporary pop-indie-folk storyteller delivers visceral, imaginative lyricism combined with twisting melodies that immerse audiences in the world of a Melbourne-based young adult. With influences from folk, pop, classical, celtic and rock, Sadie creates something organic that is simultaneously electric and thought-provoking.

daezy - Indie Rock
daezy is an indie-pop-rock project from Naarm, fronted by former professional athlete Daisy Bateman and joined by Jackson (guitar) and Josh (bass). The trio blend indie-pop, rock, and funk with honest lyrics and high-energy performances. Drawing inspiration from artists like San Cisco, London Grammar, and Middle Kids, daezy craft a sound that’s both heartfelt and uplifting.

Loose Content - Punk
Loose Content are a three-piece indie/alt-rock band comprising of MiLLa(vocals, bass), Sam Sanders (guitar) and Aquila Porter (drums, backing vocals). Their sound fuses the urgency of punk and the melodic sensibility of Britpop with a distinctly Australian bite.  With this new body of work, produced by Dan Luscombe (Courtney Barnett, Amyl & The Sniffers), due for release in early 2026, Loose Content are staking their claim as one of Australia’s most exciting and vital young voices — unafraid to merge political commentary, irony, and youthful defiance into something entirely their own.

Merpire - Alt Rock
Merpire, the moniker of Naarm/Melbourne-based Rhiannon Atkinson-Howatt - whose huge, gritty voice, whimsical turn-of-phrase and inimitable chord choices seem impossible to tame, were it not for a sobering honesty that could heal even the most stoic crowd. Merpire’s songs aren’t just effortless, catchy dark-pop anthems deserving of a home in the 90s Garbage or Caroline Polachek canon - soaring through every track is a subtext profound enough to stop you in your tracks.